Sunday, October 18, 2009

A poem can be music and music can be a poem, I would present this assertion to a classroom of skeptic students about to write their first poem. So a rap can be a poem? Uh, yes and a poem can be a lyric on the page, yes, yes, yes. I feel its all about delivery, a rap can be read without a musical beat and a little toned down and can pass as a poem.

A memorized poem is more accessible then a poem in a book,
and more accessible than a song played on a friend's I-pod.
Yet, music is music and poetry is poetry. Each one has its own intimate qualities for the listener. The message can be in a song or in a poem. Bob Dylan is a poet and a musician. He says, " Anything I can sing, I call a song. Anything I can't sing, I call a poem." He is an example of a poet manipulating his voice and reciting a poem like a song. Then a hook and a call and a response comes in, it's a thin line and I truly love both art forms.

The poem "I'm a Hip Hop Cheerleader" by Jessica Care Moore ignites feminist hip hop heads and gives room for them to re-think what they are dancing to - it may just freeze up your spine. The narrator creates a space of freedom and restrictiveness in that too tight skirt. The narrator calls out the male dominated rap scene that does not nurture or heal, nor does it allow for women to shine and hold court with other men. If anything the narrator goes through a reincarnation or perhaps there are two narrators speaking: one who can "tolerate all your hoes" and the other who is wise and conscious of the hip hop game. The poem has tinges of sardonic humor, of being fed up. A hip hop cheerleader is definitely different from your everyday football cheerleader. Image is everything in this poem, the cheerleader still has on her short pleated skirt because "when you're a woman sometimes all you have is a minute", she got your attention and now she will flip it.

"I'm a hip hop cheerleader
carrying hand grenades and blood red pom poms
screaming from the sidelines of a stage I built
afraid to part down the middle
for feminine riddles
raining words of proverbs
of prophets who never get heard
because the microphone is just another phallic
symbol"

Juxtapose this poem/rap with Dead Prez's "Police State" and you get a different tone: there is more rhythm, occupied by a very male voice but a conscious male voice, albeit, a different sort of radical, here the narrator is flipping off the state, the state of being under surveillance while they list in their chorus: the world being controlled by the white male. In both poems there is an enemy, there is blame and there is education for the reader, there is knowledge there is another way to live in both poems and to open up your "third eye", another very late 90's 2000's term! There is something about these poems that demand an unveiling of the nausea and repetition of your same ole' song or poem, unveil , and dissect and refocus. The narrator seems young, militant, radical, mentored, alive and can battle somebody in some politics. This is a rap and Jessica Care Moore's piece is a poem.

8 comments:

  1. yo you read The Words Don't Fit in My Mouth? if you haven't and she sparks you, get it. she blew my mind back then - the way she split up words and funked'm. wow.

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  2. I'm a hip hop cheerleader
    carrying hand grenades and blood red pom poms...

    I love that, speaks of feminism... and I also can't help but think of ovaries when i hear this stanza.

    Bluey

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  3. i think it's really interesting the way you use the word "accessible" here. because usually we're talking about access into a poem (what you mention here), & i agree that yes, a poem performed is much more accessible than a page poem simply because of the human aspect, the necessity of community at a performance space, etc.

    but that made me also think about the accessibility of performances & how in smaller towns & especially throughout the midwest, performance poetry isn't nearly as big as it is on either coast. so i'm thinking, (& making the big dumb assumption that literacy is not an additional access hurdle, although i know it is) that maybe page poetry IS more accessible because every town has a library & anybody can buy a book or order a book or borrow a book.

    i dont know what do you think? a performer can only be in one place at one time (except when she's on youtube), but a book can be many places at once, at all times, even when it's 4 in the morning in iowa & you need to hear some gwendolyn brooks, you know?

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  4. You open the post with a lesson plan and end it by merging two very distinct writings. I think Jessica Care Moore's poem can be a rap and she's right "women only get a minute" and like Queen Latifah and many others have asked for years, where are all the female MC's?

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  5. Melissa,
    Thanks for showing us how Jessica Care Moore flipped it in her poem on hip hop (teases us with the image then slams us with the subtext).

    And Meg, I like how you flipped Melissa's definition of access. both ring true for me.

    and in an era of youtube and growing internet access, maybe a page poem will truly be more obsolete than a performance! but then Melissa does say a memorized poem is more accessible than an ipod song... makes me think a live show is more accessible than a youtube video (the interaction is an element) so are we then back to the page poem being the most accessible?

    i've been flipped too many times. i'm spinning.

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  6. I just have to put out there too, although Moore's poem doesn't go this far, that the hip hop scene is also super heternormative.

    on the access question... I'm all flipped around too!

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  7. I don't know why I can't read this off my computer? But I love your title and agree with the duality or overlay that occurs with artistic genres. Most hip hop heads would agree that rap is poetry, typically with beats and rhyme. Poetry's first origins came in the form of storytelling and also song, across probably all cultures but both of these sentiments are often unacknowledged within the academy.

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